war

My Two Wars

by Zhanna Ohanesian

I am only 21 years old and I have seen two wars in my life. The first, in my ancestral homeland, in Nagorno-Karabakh, the second – in Ukraine, where I was born and where I live. I tried to write this text to gather my own thoughts and tell you about how I am going through these wars.

The author aided children affected by the war in Nagorno-Karabakh in 2020. The conflict was the first of two she has experienced in her 21 years.

Black Garden or as the Armenians say – Artsakh

The war in Karabakh began in the fall of 2020. I would describe my feelings during the 44 days of the war in one word: agony.

During the war in Artsakh I did not want to live. I said to myself: am I worse than those 17-year-old, 20-year-old boys who are dying there now? I am not better than them. Why do I live and they do not? I said to myself: this is unfair.

It was hard for me. Hard to eat, sleep, study and work, as everyone else next to me in Ukraine did. People did not understand that my soul was in hell and I could not condemn them. I had no idea what others thought when they saw me, but I knew they could not even begin to imagine what was happening inside of me and how deeply terrible I felt. 

You have to volunteer if you do not want to become a complete madman

I volunteered during every single day of the 44-day war in Nagorno-Karabakh. Volunteering is throwing all your strength into a battle, squeezing it to the last drop.

The author, Zhanna Ohanesian, poses with several other children she worked with during the aftermath of the Nagorno-Karabakh war.

I disseminated information, wrote to international organizations. I collected material aid for war victims and refugees.

During the Karabakh war, I was too young and too emotional. Everyday, I watched a lot of negative videos, wrote aggressive comments, entered into negative discussions on social media, and read a lot of news about death. I was killing my nervous system.

In wartime, it is more important than ever to be assembled, to store your energy, to direct it in the right way.

After the bloody war in Karabakh ended, we continued to help. In the spring, I realized I wanted to go to Armenia and work with children who were close to the war zone. My friend-volunteer and I went together.

We helped not only the children, but also ourselves. Such volunteering restored our faith and gave us peace of mind. It was a serious therapy for our soul that changed the way we had   lived.

Ukraine

I was already experienced when the war started in Ukraine. I knew what to do and I knew I would not influence the situation globally. Despite the fact that explosions were heard in my city every day and we were constantly in the bomb shelter – I was not afraid. I did not feel anything.

I knew: I just have to do everything I can. 

The author walks up and down the stairs, to and from the improvised bomb shelter in her hometown of Mykolaiv, Ukraine. A strategic southern port city, Mykolaiv has been shelled extensively and attacked repeatedly by Russian ground forces, but fierce resistance by Ukrainian troops has prevented Russia from capturing the city.

From the first day of the war, I opened my laptop and wrote to my friends, “What are you doing now? I'm joining". And we started working. We translated texts about the situation in Ukraine into other languages, helped in various charitable foundations, collected money for bulletproof vests and looked for humanitarian aid for those who needed it. 

It was not easy to do volunteer work in war conditions. My city of Mykolaiv is also a combat zone – the constant sirens and explosions and bad news distracted me from my work. With each sound of the siren, my family and I descended from the ninth floor to the shelter. Finally, on the 43rd day of the war, my family and I decided to evacuate to a safer city in Ukraine.

I heard explosions constantly. There have always been mixed feelings about this city. I have never been close to the mentality of people, their behavior and habits. Maybe it is because I felt a little overwhelmed. However, at the same time, I have many wonderful memories connected with this city. First of all, these are the memories of friendship, books, studies and work. These are walks under the rain, parties, and photo shoots with a friend. It is a long search for yourself in the world.

During this war, I have a feeling of constant deja vu. Yes, it was something familiar. But now I am not 19 years old. I react calmly when I read death statistics, when I see destroyed infrastructure. It’s strange to say, but this time I came to terms with human pain. However, I do not understand: is it a state of acceptance of the situation or a state of disappointment?

When the war comes, you do not care about material things, you do not care about your own  development. You just want peace. This is the same in any war.

War is a source of endless pain. It is possible to fight the pain if you just start to control the circumstances. Volunteering is perhaps the main way of fighting. 

Fate is unfair to my nation, to the country in which I was born and raised. I have no other choice but to struggle against injustice using selflessness and a desire to help those I love.

Post-Communist World: New Artists Add Their Voices in Support of Ukraine

Many members of Atlantika Collective have close ties to Ukraine and other post-Communist and Socialist states around the world. This week, as part of our response to the invasion of Ukraine by Russia, we issued a Special Statement on Ukraine, condemning the cruel and illegal invasion and urging strong actions to defend the country and to safeguard human lives that are in grave danger.

In addition, we unveiled a new section of our website, The Post-Communist and Socialist World, that highlights the many projects that members have created that originate in Ukraine or other nations of the world that have transitioned away from communism and socialism.

Now, other artists are joining us in support of Ukraine by adding links to their projects to this new section of the website. Today, we’re featuring the voices of two very talented artists, Victoria Crayhon and Matt Mooore, who have created beautiful and insightful projects in this part of the world.

Karl Marx Street I, Irkutsk RF 2018, Archival Pigment Print, 30 X 44 inches, Victoria Crayhon.

Victoria Crayhon has been making photographs in the Russian Federation since 2011. Her work examines the intensity and omnipresence of Russian nationalism as reflected in its architecture, public space, historical sites, holiday rituals, and culture in general, which, like any form of nationalism, is essentially the glorification of one’s own culture and country. Nationalism has historically, at least in the west, led to two world wars and most American wars since 1945. Her two projects, New Empire and Far East, ask the questions: How long can a society hold onto and/or reject ideas from its own history? Which facts and stories are being told? How is history wielded and for whom?

Post-Socialist Landscapes by Matt Moore is an exploration of memory sites in countries that were at one time occupied by the Soviet Union. The photographs in this project fall into two main groups. One set of images depicts the exact location where statues of Lenin and Stalin once stood. A second group of photographs focuses on the fate of the discarded communist monuments that once stood throughout Europe’s Eastern Bloc states. Together, these two groups of photographs speak to the way local governments and municipalities control historical narratives through the manipulation of public and private space. While some societies go to great lengths to eradicate the unwanted reminders of their past, others are willing to let them slowly disintegrate.

Lenin, Vilnius, Lithuania, Matt Moore, 2014.

Moore’s project East/West presents images of the abandoned checkpoints that separate former eastern bloc countries from the West, particularly the Czech Republic from Austria and Germany. As remnants of the Iron Curtain, each checkpoint carries with it its own amount of history and aura. Today, each structure stands vacant and serves only as a hollow reminder that one is moving from one country to another. Moore is interested in them as symbols of the perpetual change that takes place in Europe and beyond. Ultimately, the images in this project function like time capsules. They give us a glimpse of the past, while also hinting at the potential for greater change ahead.

In addition to featuring talented artists from around the world, our new section on the Post-Communist World contains information about how you can do your utmost to assist the people of Ukraine in their historic struggle for democracy and self-determination, including information on Russian war crimes, charities that are assisting Ukrainians in their country and those who have been forced to flee, and suggestions about how to contact government officials in the West who must hear from us about the importance of this crisis for the world.

We all have a stake in the war in Ukraine, since the very future of democracy is at stake. We continue to urge everyone to do all they can to influence the outcome.

Fighting for Freedom and Democracy in Ukraine

This image, taken by an artist in Kyiv on February 26, 2022, shows the aftermath of a Russian attack on a civilian apartment building. Amnesty International has already documented the indiscriminate shelling of civilian targets by Russia, actions that likely constitute war crimes under international law.

Many members of Atlantika Collective have a close personal connection to the parts of the world that have transitioned away from Communism and Socialism, including the nation of Ukraine, which is under assault by Russian troops at this moment.

Today Atlantika issued a “Special Statement on the War in Ukraine.” This statement vehemently condemns the Russian invasion of Ukraine and calls on governments and people all over the world to do everything possible to assist the people of Ukraine. Importantly, it includes essential information on Russian war crimes against civilians and information on how people worldwide can send humanitarian assistance to people in Ukraine and to refugees in bordering nations. Finally, Atlantika urges people to contact their own governments to demand the strongest possible sanctions against Russia and their isolation in the world community.

In addition, to highlight the importance of protecting freedom and democracy in Ukraine, we are introducing a new section of our website today called “The Post-Communist and Socialist World.” This new section brings together a diverse collection of artworks by Atlantika Collective members (and soon, other artists who have focused on similar topics). These works offer insights into art and culture, diversity and borderlands, and the environmental problems plaguing these nations, including a number of projects that originate in Ukraine.

The war in Ukraine is one of the most pressing humanitarian crises of our time. It is also one of the most important challenges to the rule of law and the future of democracy and self-determination. For these reasons, we all have a stake in this war, and we all must do what we can to bring an end to this brutal, unwarranted and illegal use of military force.